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Vaudeville: mad, mercenary, dreamy, and absurd, a world of clashing cultures and ferocious showmanship and wickedly delightful deceptions.
But sixteen-year-old pianist George Carole has joined vaudeville for one reason only: to find the man he suspects to be his father, the great Heironomo Silenus. Yet as he chases down his father's troupe, he begins to understand that their performances are strange even for vaudeville: for wherever they happen to tour, the very nature of the world seems to change.
Because there is a secret within Silenus's show so ancient and dangerous that it has won him many powerful enemies. And it's not until after he joins them that George realizes the troupe is not simply touring: they are running for their lives.
And soon...he is as well.
(2011)
- Sales Rank: #929773 in Books
- Published on: 2012
- Original language: English
- Number of items: 1
- Dimensions: 1.30" h x 5.40" w x 8.20" l, .95 pounds
- Binding: Paperback
- 512 pages
Most helpful customer reviews
14 of 16 people found the following review helpful.
Carole singing - the Vaudeville way.
By Darren J Guest
For a long time I could count on one hand the number of authors whose new releases I anticipated with any real excitement, but once I read Robert Jackson Bennett's award-winning debut novel Mr Shivers, I had to start counting on both. Now, after reading his third and latest novel, I'm pleased to say my excitement has not diminished, and I'm already looking ahead to his fourth. But for now, let us journey along the vaudevillian circuit with a disparate band of players collectively better known as The Troupe.
Sixteen-year-old George Carole has been the house pianist at Otterman's Vaudeville Theatre for six months, but when he hears that The Silenus Troupe is playing in a nearby town, he quickly packs his bags and heads for the train station with only one thing on his mind: finding the man he suspects of being his father, the great Heironomo Silenus. George finally tracks his father down, but discovers something far stranger than the troupe's performances. The very texture of the night is different somehow, and time and space as George knows it has been altered, meaning only one thing: The men in grey are here. Let the show begin...
Bennett wastes little time in getting the story steaming and tooting along its dusty tracks, but sacrifices nothing in the setting of the vaudevillian scene. Greasepaint will skid on your fingers as you turn the pages, and your reading lamp will illuminate a faded backdrop, before which a top-hatted and moustachioed gent will appear on stage and regale you with the splendid and exotic acts that are to come. And splendid and exotic they are too.
A Persian princess turned songstress, a puppeteer whose puppets seem to speak and move of their own accord, and a strongwoman whose feats of strength must surely be beyond her slight and fragile frame. It's refreshing to see a writer spend intellectual energy on the development of his entire cast, and not just the stars of the show, because these colourful players are not merely stage props; Bennett has a story for each and every one, and they all revolve around one man: Heironomo Silenus.
The story is as much about Silenus as it is about George, and while he steers his troupe along the vaudeville circuit and away from the men in grey, you will glimpse a magical world of fairies and living ghosts, elementals and teleporting rooms, and be left in no doubt that Silenus is other-worldly wise.
The Troupe is something of a departure from Bennett's usual laconic style, and is pacier and more energetic for it. And although there is still a good amount of darkness to fear, there's a warmth to the story that we haven't seen in his previous work. That could be down to the teenaged George, or the sense of family within the troupe, but whatever it is, it shows that expectation is a fruitless exercise where Bennett is concerned. I guess that's why I always get excited about a new Robert Jackson Bennett release, as you should too.
7 of 8 people found the following review helpful.
A little history, a little drama, a little magic
By Joseph P. Menta, Jr.
Using its Vaudeville act as cover, a troupe of mystical individuals travels the country on a supernatural mission to save the world, or- if you will- a troupe of supernatural individuals travels the country on a mystical mission to save the world. It's all kind of vague. In any event, nipping at the troupe's heels while all this is happening is a group of supernatural/mystical enemies with its own agenda, which is also kind of vague.
To be fair, the magic in the book is meant to be lyrical, mysterious, and not totally explainable in a clear narrative sense. After all, the troupe of the title is traveling around the country gathering pieces of an ancient song than can- alternately, depending on what character is explaining things- prevent pieces of the world from disappearing, bring back pieces that have already disappeared, and/or restore the balance of the universe itself. It's pretty mind bending, but, yeah, still a little vague.
Anyway, here's what works: the details about the troupe's grueling Vaudeville circuit (where an exhausting schedule doesn't prevent wonderful, strange performances); how the gifted yet misfit members of the troupe befriend each other as they daily confront their enemies and challenges, both natural and otherwise; and the many imaginative displays of magic and the supernatural- many small and whimsical, others downright epic and mind-blowing.
I did find the stakes a bit unclear, the nature of the magic often shifting and changing, and the story as a whole a little long. But I suspect others- especially those who embrace lyricism, poetry, and imagery over explanation- will be fine with most of this, and perhaps like it very much.
I will say this: this particular genre- fantasy unfolding in a real-world setting- doesn't usually grab me much, but in this case I had a pretty good time with it.
9 of 11 people found the following review helpful.
A haunting, magical novel you won't want to miss!
By MyBookishWays
At 16, George Carole was raised by his grandmother, has never known his mother or father, and has been traveling with a vaudeville troupe, playing piano rather wonderfully. He has a good idea of who his father might be, and has been trying to catch up with the Silenus troupe, if only to catch a glimpse of the man that could possibly be his dad. He finally manages to catch up with them and catch a performance. He's enchanted, especially with the beautiful acrobat Colette, and fascinated with Silenus. After leaving the performance, he encounters the grey men (seriously creepy), who also seem to be after the Silenus troupe, but for much different reasons than George. It's when George attempts to warn the troupe of the grey men's presence that the real adventure, and terror, begins.
See, George has a little something special inside of him, and it's part of what makes him so valuable to Silenus and his troupe, because the troupe is much, much more than just a vaudeville act, as George will soon discover. The Troupe is, at its heart, George's coming of age story, but it's also a far-reaching magical epic. Set in a time when vaudeville and minstrel shows were popular, and horse and carriages still lingered, The Troupe is a book that you want to read without distraction, because there are quite a few big ideas in play. Don't let that scare you. The author manages to weave horror elements (wolves in human clothing and the grey men), with not so traditional fantasy elements (some rather terrifying fairies), and even southern gothic into a rich tapestry that you'll want to savor, bit by bit. There is a song that was lost when man and earth was created (The First Song), and Silenus' troupe has been gathering bits of it back together, in hopes of saving our world. Each town they stop in becomes just a little bit better when the troupe sings this haunting song. If the song is entirely forgotten, the rips that have already appeared in the fabric of our reality will get bigger, and very, very bad things will begin to come through. George has some of this song inside him, and throughout the book, it becomes clearer and clearer just how important George is to our world.
George will frustrate you, and you'll fall in love with him at the same time. He's just a kid, who sometimes fancies himself much worldlier than he really is, and is painfully naive. For someone so young to shoulder such a huge burden is enormous, and much of the book is about George learning just how to do that, as well as getting to know the father he never knew. Silenus is a force of nature and his command of his troupe and relationships with its members is also a very big part of this novel. Many elements of the Silenus troupe are strange and terrifying, such as Kingsley the puppeteer and his rather creepy, otherworldly puppets, and some are beautiful, such as the dancer Colette and even Franny, who lifts objects that no one her size should be able to lift. Silenus' silent and gentle companion Stanley (who communicates via chalkboard) is a joy, and the interplay between the troupe members is subtle, intricate, and sometimes heartbreaking, as is Silenus' rough, fierce love for his troupe. As George learns more and more about his place in this frightening new world, and also of the delicate balance that the troupe helps maintain, he also realizes what's at stake, and losing the song may mean losing everything he cherishes. The author has a gift for atmosphere, mystery, and imagery, and manages some jaw dropping twists that I didn't see coming. The Troupe was as much of an emotional journey as it was a fantasy for me, and I cherished every bit. Haunting, terrifying, and achingly beautiful, The Troupe is a book to be savored, and it will stay with you long after you've finished reading. Very highly recommended.
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