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Jerusalem (Royal Court Theatre), by Jez Butterworth
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"[A] startlingly brilliant new play. . . . A tragic and hilarious vision of life in an English country community. Butterworth’s new work was the most talked about new work of the season."—The London Paper
- Sales Rank: #1959195 in Books
- Brand: imusti
- Published on: 2009-11-01
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .40" w x 5.10" l, .40 pounds
- Binding: Paperback
- 96 pages
- NICK HERN BOOKS
Review
“An instant modern classic” – Charles Spencer, Daily Telegraph
FOUR STARS: “A welcome blast of bracing fresh air. Tender, touching, and blessed with both a ribald humour and a haunting sense of the mystery of things.” – Charles Spencer, Daily Telegraph
FOUR STARS: “Jerusalem is a bold, ebullient and often hilarious State-of-England or (almost) State-of-Olde-England play.” – Benedict Nightingale, The Times
“One of the most exciting new plays in ages.” – Ben Brantley, New York Times
“Magnificent… a great frame-busting play that still exists solidly within a conventional framework. Jerusalem could have been written in almost any year from the 1920s onward. Yet this work takes you places — distant, out-of-time places — that well-made plays seldom do. And it thinks big — transcendently big — in ways contemporary drama seldom dares.” – Ben Brantley, New York Times
“Jez Butterworth’s gorgeous expansive new play keeps coming at its audience in unpredictable gusts, rolling from comic to furious, from winsome to bawdy.” – Susannah Clapp, The Observer
FIVE STARS: “An invigorating, yelping, defiant portrait of 21st century shires England.” – Quentin Letts, Daily Mail
FOUR STARS: “A wonderful, rollicking, dark comedy about contemporary life in rural England.” – Sarah Hemming, Financial Times
FIVE STARS: “Hilarious and/or gripping throughout.” – Caroline McGinn, Time Out London
“Jez Butterworth's Jerusalem is one big, messy, exciting, long play.” – Robert Hurwitt, San Francisco Chronicle
About the Author
Plays include Mojo, The Night Heron, The Winterling and Jerusalem. Mojo, The Night Heron and Parlour Song have been produced in New York in acclaimed productions at Atlantic Theater Company. He has written and directed two films: Mojo (1998) and Birthday Girl (2002). In 2009 he wrote and produced Fair Game. In 2014 he co-wrote the screenplays for Edge of Tomorrow and Get on Up. He is writing the screenplay for London Calling, about the British punk rock band, the Clash. He has won two Evening Standard Awards and Olivier, Critics’ Circle, Writers’ Guild and George Devine Awards. In 2007, he received the E.M. Forster Award from the American Academy of Arts and Letters.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Masterful at all levels - and there are many
By David Wineberg
Jerusalem is about many things, from the hard partying gang that hangs about Rooster's rickety Airstream trailer, to the sadness of the discrimination against Romanys - Gitanes - Gypsies - of which he turns out to be one. Condemned to making money as a daredevil in his youth and a blood donor in middle age, Rooster is determined to live large - while the local town does its utmost to boot him out. In between, we are treated to the magic of central England, the fairies and giants and mystical beings that inhabit the woods and glens that for centuries have provided our legends. From Robin Hood to hobbits to Shrek, this setting is as fertile as they come, and author Jez Butterworth milks it to its fullest.
The first two acts are riotously funny, setting us up for the dismal fall, which is obvious from the beginning - this can't last. And it doesn't. But along the way we are treated to Rooster's intelligence, his understanding of the way things work, and his role in them. It's a remarkable story of coping and survival in a hostile environment, buried in a haze of gin and marijuana, as anybody in his situation might descend to. To that point, Jerusalem is highly believable. This could (and of course has been) going on in real life. Only the wonderfully involved massive and mammoth lies that Rooster spins are obviously made up. He has made himself into one of the great legends of the woods, remaining Rooster while generation after generation of teenagers in search of something more hang out for a while and move on.
A delightfully complex story, though readers don't have to get all this from reading it. As a straight story it is highly entertaining. But make no mistake, there is a masterpiece lurking in these pages.
David Wineberg
0 of 0 people found the following review helpful.
Gorgeous!
By eyduck
I had heard a lot about Jerusalem and wondered what the fuss was about. After picking up a copy, it deserves every ounce of praise it has received. It is absolutely gorgeous! The story and characters leap off the page! If you are involved in theater, you need to read this. It should be in the theater cannon alongside Williams and Shakespeare. Gorgeous.
13 of 14 people found the following review helpful.
Masterful At All Levels - and there are many
By David Wineberg
Jerusalem is about many things, from the hard partying gang that hangs about Rooster's rickety Airstream trailer, to the sadness of the discrimination against Romanys - Gitanes - Gypsies - of which he turns out to be one. Condemned to making money as a daredevil in his youth and a blood donor in middle age, Rooster is determined to live large - while the local town does its utmost to boot him out. In between, we are treated to the magic of central England, the fairies and giants and mystical beings that inhabit the woods and glens that for centuries have provided our legends. From Robin Hood to hobbits to Shrek, this setting is as fertile as they come, and author Jez Butterworth milks it to its fullest.
The first two acts are riotously funny, setting us up for the dismal fall, which is obvious from the beginning - this can't last. And it doesn't. But along the way we are treated to Rooster's intelligence, his understanding of the way things work, and his role in them. It's a remarkable story of coping and survival in a hostile environment, buried in a haze of gin and marijuana, as anybody in his situation might descend to. To that point, Jerusalem is highly believable. This could (and of course has been) going on in real life. Only the wonderfully involved massive and mammoth lies that Rooster spins are obviously made up. He has made himself into one of the great legends of the woods, remaining Rooster while generation after generation of teenagers in search of something more hang out for a while and move on.
A delightfully complex story, though readers don't have to get all this from reading it. As a straight story it is highly entertaining. But make no mistake, there is a masterpiece lurking in these pages.
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